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Alice tao nyc12/13/2023 ![]() 1932) settled in Hong Kong in her forties, becoming a successful businesswoman in the fields of petroleum, real estate, IT technology and transportation in the city and Mainland China. ©AP Photo/Anat Givon ANAT GIVON/ASSOCIATED PRESSīorn in Shanghai to a family of celebrated antique dealers, Dr Alice Cheng (b. Chow Collection sales in 1980-81.ĭr Alice Cheng holding her Yongzheng famille rose 'peach' vase at Sotheby's Hong Kong May 2002. Many of his ceramics were dispersed in two major auctions in 19 at Sotheby’s Hong Kong, a move which galvanised the market and brought the kind of stellar opportunity to collectors previously seen at the Edward T. In 1978, an exhibition of 100 Ming and Qing porcelains from his collection was held at the Hong Kong Museum of Art. Chao Family Foundation and Wah Kwong Collection. Parts of his collection were exhibited in the 1970s under the names T.Y. Over four decades, he built an outstanding collection of Chinese classical paintings and calligraphies, ceramics and jades, first concentrating on Qing wares and jades, and then adding a splendid series of early 15th-century blue-and-white porcelains. Instead of pursuing a legal career however, he became a comprador in a reputed Shanghainese trading firm, settling in Hong Kong in 1948 where he later established Wah Kwong. Chow Collection remains one of the most coveted provenances for a piece of Chinese art.Ĭhao Tsong-yea (1912-1999), shipping magnate and real estate developer, graduated from Soochow University, Shanghai, with a law degree. The record-breaking auctions of Chow’s legendary collection in 1980-81 represented the first of Sotheby's Hong Kong's famous single-owner sales and aroused unprecedented interest worldwide. In 1949 Chow moved from Shanghai to Hong Kong, where he lived in Happy Valley until his retirement to Geneva in 1967. ![]() ![]() His greatest pride of joy lay in his successful lifelong quest to assemble an unrivalled collection of Chenghua porcelain chicken cups. Generous with his time and knowledge, Chow mentored many other collectors. By the age of 20 he already possessed a small collection. Born in Yangzhou, Chow was sent to Shanghai at the age of 13 to study Chinese art with the dealer Zhu Heting, and was mentored by the Danish collector Jacob Melchior. Chow’s (1910–1980) exacting taste, as the French historian Michel Beurdeley recounted, “had three fundamental tenets, namely the rarity of the piece, the quality of the decoration, which had to be without the slightest infelicity, and the state of preservation, which had to be quite perfect”. Known as one of the greatest connoisseurs in the field of Chinese ceramics, Edward T.
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